randian | 燃点

Sea Pearl White Cloud is a project realised through a collaboration between 4A Centre for Contemporary Asian Art, located in the heart of Sydney’s Chinatown >> Read more

A two-stage exhibition at Guangzhou’s Observation Society and Sydney’s 4A Centre for Contemporary Asian Art highlights unique urban conditions across two cities. >> Read more

(中文) 香港－藝術門毕打行荣幸呈献群展《当代山水画》，是次展览将带来三位杰出当代韩国艺术家的山水画作品，艺术家分別为李世贤（生于1967年）、文凡（生于1955年）和黄仁基（生于1951年）。 >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

Talkover/Handover 2.0 at 1a Space / “Canton Express: Art of the Pearl River Delta” at M+ Pavilion / Fereydoun Ave's “Shah Abbas and His Page Boy” at Rossi & Rossi / Wong Chung-Yu's “Centrifugal Force” at Hanart TZ gallery / Jacqueline Kiyomi Gordon's “Catchy” at Empty Gallery / R. Streitmatter-Tran's “Departures: Intersecting Vietnamese Modern Art with R. Streitmatter-Tran” at de Sarthe gallery >> Read more

Art Basel in Hong Kong's widely acclaimed Encounters sector – a unique platform dedicated to presenting large-scale sculptural installations that transcend the traditional art fair booth …… >> Read more

“I cannot possibly understand those artists who place themselves in front of the canvas as if it was a surface to be filed up with colors and shapes, following a taste that is more or less appreciable.“ >> Read more

Art movements don't always name themselves; sometimes a pithy put-down is embraced by the artists involved—the Fauvists were so named by being disparaged as wild beasts, while the term “Impressionism” comes to us from a critic's sarcastic remark. As far as pejorative appellations go, it's hard to beat "Zombie Formalism"... >> Read more